[meme] mrs. doubtfire represents, ya'all!

[krickets]

Film School Thesis Statement Generator

The use of subversive semiotics in Mrs. Doubtfire subjugates the plight of the migrant worker in post-war America.

What'dja get?
EDIT: You can plug in whatever movie title you want.

Comments

[gigglemonster.livejournal.com]

How the Grinch Stole Christmas subverts order and chaos through its fluid identification of the viewer.

Hehehe

[crickets.livejournal.com]

All the whos down in Whoville liked Christmas a lot. But the Grinch, who lived just North of Whoville, did not.

[janie-tangerine.livejournal.com]

Blade Runner subjugates the post-war crisis of masculinity through its use of the male gaze.

THIS IS THE BEST THING EVER LOL. Okay I put the movie, the random one I was given was Young Mr. Lincoln and I didn't read the result, but. THIS. Is amazing. XDD

[crickets.livejournal.com]

Hahaha.

Awesome.

I would love it if somebody actually wrote real essays based on these. Hilarity would ensue.

[janie-tangerine.livejournal.com]

... well, I guess that with some stretch you could try to demonstrate that Rick feels a masculine crisis whenever he looks into the eyes of a nicer/stronger/more masculine replicant, thus making Rick/Roy a serious ship...

did I really go there? XD

[crickets.livejournal.com]

You totally did.

[spooky-xphile.livejournal.com]

Through the frequent use of long takes, Red Dawn delegitimizes the rise of currency and the loss of utopia.

[crickets.livejournal.com]

Haha I wish I had seen Red Dawn, lol.

[spooky-xphile.livejournal.com]

I've never seen it. When I opened the link, it was the name of the movie in the box.

[crickets.livejournal.com]

Haha, ohh. I forgot to mention that you can plug in any movie that you want. Someone else had this problem. I totally put Mrs. Doubtfire in there myself, lol.

[knopflergroupie.livejournal.com]

The collapsing of identity and whiteness in The Seventh Seal asks telling questions of scopophilic tendencies of the viewer...tempted to keep clicking until I get a movie I've seen and can therefore laugh at?

[crickets.livejournal.com]

Haha, oh! I should have mentioned that you can plug in any movie that you want! Just gotta type it in the spot!

Try again?

[knopflergroupie.livejournal.com]

Oh. Well, then.

Through the use of subversive semiotics, 10 things i hate about you delegitimizes the containment of visual pleasure.

Haha, I prefer this. Interesting that both Mrs. Doubtfire and 10 Things I Hate About You use "subversive semiotics" to different effects, hmmmmmmmm?

[crickets.livejournal.com]

These must be go-to phrases for pretentious film school students, lol.

[far-to-nowhere.livejournal.com]

The use of the male gaze in Serenity exposes suburban notions of containment.

[crickets.livejournal.com]

I need to do some research before I can understand that, lol.

[elliotsmelliot.livejournal.com]

The frequent use of long takes in Close Encounters of the Third Kind colonizes the fascist aesthetic.

Fun!

[crickets.livejournal.com]

I can't figure out if I should admit I've never seen that movie or not... haha.

[blighted-star.livejournal.com]

The strategic use of narrative ellipses in Moulin Rouge subverts pre-Oedipal anxieties.

Sounds too smart for me.

[crickets.livejournal.com]

Yes some of them are like? Uhh, let me go look this up.

[akzseinga.livejournal.com]

The Four Hundred Blows dichotomizes colonial attitudes toward race through its frequent use of long takes.

I've actually seen this movie and... what?

But this generator is really awesome :D

[demonqueen666.livejournal.com]

I nominate this one for Most Hilariously Somehow Actually Sorta Appropriate:

Through the deliberate suppression of colors meant to signify passion, Mean Girls subjugates male fears of castration.