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kricketsHere are some excerpts from Jacob Clifton's recaps of The Killing on TWOP (I have no opinions of my own, because I'd just as soon defer to him. Emphasis mine.):
...Which is why 'The Yellow Wallpaper' is the scariest story of all time, because screaming I'm not crazy is just another way to prove you're crazy, which is the privilege gun pointed at the head of every woman every day of the year, which is what makes it the scariest concept in modernity.
...
Or the kindest, most accurate thing you could probably ever say about Sarah Linden:
"...The most interesting part of the Hero's Quest is the end... [T]he Hero comes back to town with magic powers, [knowing the Language of Birds], in contact with divinity, and everybody looks at him crazy. And the reason everybody looks at him crazy is because, by all standard measure and by all the things that make us a society and not a monstrosity: He is. He can't tie his shoes, he can't walk straight, can't balance his checkbook; he can't summon the right words to speak, because he's learned a better language. He is insane."
If Sarah Linden were a man, I promise you words like crazy and CPS [Child Protective Services] wouldn't even be a part of this story. He'd be dedicated, and righteous, and strong. He'd have conviction. Which makes the woman Sarah Linden, to my mind, even more of a hero -- a capital-h Hero, Orpheus descent into the Underworld, the whole bit -- and this show, in turn, a hundred times better than it needs to be.
It's my favorite story, probably, that can be told. It's the reason I love and write about the shows I love and write about, because it's always about knowing the truth in a world that says just knowing the dangerous truth is enough to condemn you, that the world and society save their own stasis by eliminating the ones who see behind the curtain. Starbuck, Sarah Linden, even Alicia Florrick make easy sense in this context. What I've never been able to do is convince anybody that Serena van der Woodsen, or the Pretty Little Liars -- despite being automatically pointless and shallow and stupid by virtue of being young women, of course -- are doing the exact same thing. Telling the exact same Yellow Wallpaper story, because it's real, and the conversation about how it's not real is a huge part of why it's real.
(Why no men in that list? First of all, boo-hoo. Second of all, there's no story there, because men aren't categorically silenced, which is why the categories of men that are -- gay men and men of color -- are generally writing about this and only this, which can be its own problem but certainly isn't something a TV network is going to bother with. Third, you have Jimmy McNulty -- or Jesus, for Christ's sake -- if you want to see how well that goes for men. Usually it ends up with John Locke in a pile of loveable crap like Lost or, Lord help us, those absolute a-holes from The River. But listen, if the CW ever buys a pilot about Jesus Christ, or Odin, or Mithras, or Harvey Milk, let's meet back here and chat about it.)
...Reading stories about the Descent and Return, the Harrowing of Hell, has been one of humanity's great joys for thousands and thousands of years. This show is about what that looks like now. And we bitch that it's depressing, or staid, or she's not a good cop?
Sarah Linden isn't a cop, she's a fucking demigod. It's supposed to be a drag.
...Which is why 'The Yellow Wallpaper' is the scariest story of all time, because screaming I'm not crazy is just another way to prove you're crazy, which is the privilege gun pointed at the head of every woman every day of the year, which is what makes it the scariest concept in modernity.
...
Or the kindest, most accurate thing you could probably ever say about Sarah Linden:
"...The most interesting part of the Hero's Quest is the end... [T]he Hero comes back to town with magic powers, [knowing the Language of Birds], in contact with divinity, and everybody looks at him crazy. And the reason everybody looks at him crazy is because, by all standard measure and by all the things that make us a society and not a monstrosity: He is. He can't tie his shoes, he can't walk straight, can't balance his checkbook; he can't summon the right words to speak, because he's learned a better language. He is insane."
If Sarah Linden were a man, I promise you words like crazy and CPS [Child Protective Services] wouldn't even be a part of this story. He'd be dedicated, and righteous, and strong. He'd have conviction. Which makes the woman Sarah Linden, to my mind, even more of a hero -- a capital-h Hero, Orpheus descent into the Underworld, the whole bit -- and this show, in turn, a hundred times better than it needs to be.
It's my favorite story, probably, that can be told. It's the reason I love and write about the shows I love and write about, because it's always about knowing the truth in a world that says just knowing the dangerous truth is enough to condemn you, that the world and society save their own stasis by eliminating the ones who see behind the curtain. Starbuck, Sarah Linden, even Alicia Florrick make easy sense in this context. What I've never been able to do is convince anybody that Serena van der Woodsen, or the Pretty Little Liars -- despite being automatically pointless and shallow and stupid by virtue of being young women, of course -- are doing the exact same thing. Telling the exact same Yellow Wallpaper story, because it's real, and the conversation about how it's not real is a huge part of why it's real.
(Why no men in that list? First of all, boo-hoo. Second of all, there's no story there, because men aren't categorically silenced, which is why the categories of men that are -- gay men and men of color -- are generally writing about this and only this, which can be its own problem but certainly isn't something a TV network is going to bother with. Third, you have Jimmy McNulty -- or Jesus, for Christ's sake -- if you want to see how well that goes for men. Usually it ends up with John Locke in a pile of loveable crap like Lost or, Lord help us, those absolute a-holes from The River. But listen, if the CW ever buys a pilot about Jesus Christ, or Odin, or Mithras, or Harvey Milk, let's meet back here and chat about it.)
...Reading stories about the Descent and Return, the Harrowing of Hell, has been one of humanity's great joys for thousands and thousands of years. This show is about what that looks like now. And we bitch that it's depressing, or staid, or she's not a good cop?
Sarah Linden isn't a cop, she's a fucking demigod. It's supposed to be a drag.
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Date: 2012-06-07 10:39 pm (UTC)no subject
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Date: 2012-06-08 01:37 am (UTC)I @ msged him on Twitter to tell him I loved his Killing recaps and he favorited it <3 I felt so appreciated and understood :)
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Date: 2012-06-08 02:00 am (UTC)I quoted him on twitter today and he favorited it as well, haha. I think he retweeted it. Which is essentially retweeting HIMSELF now that I think about it. LOL Awkward. (But Awesome.)
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Date: 2012-06-08 03:43 am (UTC)You have just given me reason to go back!!
What a fantastically BRILLIANT degree of insight! And eloquence!!! I want to eat all those words so that they're inside me :) I think I'll just have to settle for reading your entry again, and again!! And maybe even being brave enough to dare head back to TWoP to read them all!!
THANK YOU, THANK YOU!
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Date: 2012-06-08 04:26 am (UTC)I just had to share it with my people. (I love so much that I have people to talk to this show about. Really.)
His recaps are SUPER snarky but he gives them all A+ and he legitimately loves these characters. Worth it for the moments he breaks from the snark and gets super deep.
Here's a quote about Holder I gave to
Just.. yes..
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Date: 2012-06-08 01:23 pm (UTC)My favorite exchange he's written between H/L was from the Keylela recap:
DAY TWENTY
Linden: "Good morning. I am uncharacteristically sweet and charming before I've had my coffee."
Holder: "I am unsettlingly hot this morning, so I guess we make a weird pair. Have I ever told you about free-range chickens?"
Linden: "Sleeping on a bed. It is pleasant."
Holder: "Here's some coffee. I am also making eggs with habanero jelly for you. I like to pretend we're a family because I am pretty close to freaking out a lot of the time."
Linden: "I had not noticed your affect. Or any social cues."
Holder: "I see you are staring at my books. I buy them in bulk, because I am a seeker after wisdom. Anything up there sending sparks through the tangled mess of wires you call a brain?"
Linden: "Yes. Butterflies. As in the video of Rosie Larsen."
Holder: "Take it easy. I know you've never eaten real food before."
Linden: "For this and many other reasons, we will continue to move around at five-minute intervals. I have found us a squat in the sewers for tonight."
Holder: "I would like it if you lived here with me forever."
Jack: "That would be optimal!"
Linden: "I do not recognize the subjunctive and will not respond to it."
^FUNNY!
Now, on the poignant side, this was from 72 Hours
Holder: "How are you doing in here?"
Linden: "Former Partner, we don't have a lot of time. Facts."
Holder: "There was a break-in at the waterfront, one of Janek's guys, and Ames got the guy out of jail."
Linden: "There was a white key-card up there."
Holder: "Meanwhile, things were afoot at the casino..."
Linden: "There was a white key-card up there."
He takes her in, for a moment. There's a lot to take in, in a place like that. I spent a lot of time visiting my mother in places like this, growing up. Everything is gray and hard, and everyone's so muted or so crazy that it all reduces to one white frequency and you start to feel just as dazed and quiet as everybody else, everybody locked into their own thing that they have to keep doing.
But when she repeats herself, like that, he takes another look at her face: Dazed, not bottled up. The opposite of her terse, intense, dignified self. She's not exhausted or broken or taking a moment, she's just zoned. The sadness on his face is terrible. This show, man. How insulted he is, that they did this to her. They took her, and made her this. And she still managed to give him the clue.
She whispers, faintly. "Please don't leave me."
Holder: "What did they do to you?"
But he already knows. And when he says he's going to get her out of there, immediately, he's not just promising. It's a vow. All the samurai honor shit isn't just to give himself a personality: It's real. They don't have a courtly love, exactly, but what he's doing is the highest act of chivalry: I don't know what's going to happen, or how, but I know that he will have her out of there by the end of the episode, and it's a relief. It's a vow.
I mean...is that beautiful, or what?
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Date: 2012-06-08 04:03 pm (UTC)no subject
Date: 2012-06-08 03:57 am (UTC)Thank you so much for posting this! I haven't been over to TWOP in, literally, years. To me they were always the snarky folks, so I kind of shut them out. But this guy gets the show so perfectly...*happy sigh*
Sarah Linden isn't a cop, she's a fucking demigod.
YES. YES, SHE IS.
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Date: 2012-06-08 04:06 am (UTC)I'm making this bigger.
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Date: 2012-06-08 04:26 am (UTC)no subject
Date: 2012-06-08 04:00 am (UTC)Actually though, one thing wrt this: I guess we don't really know how much of this is genuine belief that "OMG, she IS crazy..." and how much of it is simply a deliberate part of the 'the greater conspiracy' and planned out by the major conspiracy players. HOWEVERRRRR, the fact that it WORKS SO WELL AS A TOPIC OF FINGER-POINTING (the "you're crazy" message) is 100% in-line with the sentiment in the review... the fact that she's female.
If that makes sense?
So yeah, the point remains (obviously!!!), though I do approach with caution the fact that the people in 'the know' are probably well aware of how some/all of it is a necessary part of the set-up (which was made particularly obvious in the most recent episode). I don't think I've explained myself very well there... STORY OF MY LIFE :)
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Date: 2012-06-09 05:00 pm (UTC)(GUH THIS SHOW.)